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Hell architect essence
Hell architect essence









hell architect essence

What is needed is the ability to create a harmony out of all the demands that are raised in connection with a project, the ability to make all these demands melt together and form a novel entity-as in nature-compromises are not known in nature all difficulties are accepted, not as difficulties but just as new factors which, without conflict, grow to a unified whole. This is very simple rationality and common sense. An urge for comfort must be the basis for all architecture if a harmony shall be achieved between the spaces that are made and the activities that will take place in them. Enjoying the sun, the shadow, the water against one’s body, the earth and all the less definable sense impressions.

#Hell architect essence how to

Understanding how to walk, stand, sit, and lie down so that it feels good. What is needed is a healthy approach to life. For the architect, mathematics is a means to ascertain that his assumptions were true. When he understands the nature of a material, then its potentials are much more real to him than by means of mathematical formulas and arts. An architect must be able to understand the structure of the tree, the heaviness and hardness of the stone, the character of glass he must become one with his materials and be able to form and use them in harmony with their nature. He must use his senses intensely and by all this train his ability to create new forms.Īn intimate knowledge of the materials is needed.

hell architect essence

He must practice like the musician does, experiment with masses, with rhythmic forms made up of masses grouped together, combinations of color, light, and shadow, etc. In order for the architect to be able to master his means of expression, he has to experiment. One must become aware of how the solutions and the details are dependent on the time in which they are created. The study of existing architecture is letting oneself be influenced directly by it. Our environment, the time we live in, is totally different from any previous one, but the essence of architecture, the seed, is the same. Seeds of a common species produce plants with individual characteristics under different conditions. Thinking of the seeds, producing plants and trees - all the seeds of a common species would develop in the same way if not for the fact that the conditions for growth are so varied and each plant has the innate ability of developing without compromise. The very essence of architecture can be likened to the seed in nature, and some of the transparency of the principle of growth as found in nature ought to be a fundamental concept in the architectural process. In order to improve our conception of architecture we must also understand that the architectural expression under all varying conditions is closely related with the structure of the society. By training our ability to capture these differences and their influence on us, by being in conscious contact with our surroundings, we learn the essence of architecture. However, our point of departure should be this: turning unconscious reactions into a consciousness. Our reactions to these conditions are originally unconscious, and we take note of them only in outstanding cases such as when feeling sublime pleasure from a detail or a perfect relationship to the environment or when experiencing some gross feelings of displeasure. How we feel depends very much on whether we are in the city or in the country, in big spaces or in small ones. Our surroundings affect us by their size, light, shadow, color, ect. “We relate everything around us to ourselves.











Hell architect essence